Pablo Picasso: influences, peers and legacy

Every connection with its receipt

Picasso's century-spanning output is less a style than a metabolism: he digested Spanish Golden Age painting, Iberian and African carving, Catalan bohemia, and modern poetry, then handed the wreckage to everyone after him. This mix traces the sources he worked from, the rivals he sparred with, and the painters who could not escape him.

The Kynda mix for Pablo Picasso

• Key Influence · The Large Bathers by Paul Cézanne (1906). Picasso called Cézanne his one and only master, and the 1907 Cézanne retrospective in Paris landed while he was wrestling with Les Demoiselles d'Avignon. Cézanne's bathers — figures fused into faceted architecture, perspective tilted and reassembled, brushwork refusing illusionistic depth — supplied the structural logic Picasso and Braque pushed into Cubism. The Provençal hermit's late canvases were, for them, the hinge between Courbet's world and theirs.','.'.replace','
• Influencia Obscura · Lady of Elche by Unknown Iberian sculptor (c. 400 BCE). In 1906 Picasso spent weeks in the Louvre's newly displayed Iberian antiquities, pre-Roman stone heads from his own peninsula with almond eyes, heavy continuous brows and ears carved as flat ornament. Those features appear almost unmediated in the Gertrude Stein portrait and the left-hand figures of Les Demoiselles. The scandal of his friend Géry Pieret stealing Iberian heads from the Louvre later dragged him into a police interrogation.
• Local Roots · Portrait of Pablo Picasso at Els Quatre Gats by Ramon Casas (c. 1900). Els Quatre Gats, the Barcelona tavern modelled on Parisian cabarets, was Picasso's first scene: he exhibited there in 1900 and drew menu designs for it. Casas, its presiding modernista, painted the charcoal portraits of regulars that lined its walls and set the template for Picasso's own early portrait friezes of Catalan bohemians — poets, anarchists, Carles Casagemas among them — before Paris swallowed him.
• Beyond the Medium · Le Chef-d'œuvre inconnu by Honoré de Balzac (1831). Balzac's tale of Frenhofer, the painter whose decade-long masterpiece dissolves into an illegible tangle of lines, was the book Picasso illustrated for Ambroise Vollard in 1931 with thirteen etchings. He also took a studio at 7 rue des Grands-Augustins, the Balzacian address of the story, and painted Guernica there. Few texts map so exactly onto his own anxiety about painting pushed past legibility.
• Peer · Le Bonheur de vivre by Henri Matisse (1906). Matisse was the rival Picasso called his 'north pole,' the other magnetic pole of modern painting; they met at Gertrude and Leo Stein's salon in 1906 and traded paintings. Le Bonheur de vivre, with its arcadian nudes and flattened colour, was the canvas Picasso felt compelled to answer with Les Demoiselles d'Avignon. After Matisse's death in 1954 Picasso said nobody was left to talk to about painting.
• From the Canon · Les Demoiselles d'Avignon by Pablo Picasso (1907). Painted in the Bateau-Lavoir after months of studies, this brothel scene fuses Iberian stone heads, Cézanne's bathers and mask-derived faces into a space that no longer recedes. Picasso kept it rolled up and largely unseen for years; Braque reportedly said looking at it was like drinking paraffin. It is the pivot of the whole career — the moment the prodigy of the Blue and Rose periods broke the picture open.
• Key Collaborator · The Portuguese by Georges Braque (1911). The closest thing modern art has to a duet: Braque's guitarist dissolved into stencilled letters and faceted planes introduced typography into Cubist painting, a device Picasso adopted within months. Working side by side in Paris and Céret, the two withheld signatures and suppressed personal handwriting so thoroughly that attribution still requires archival work. This canvas shows the shared language at full stretch.
• Legacy · Woman I by Willem de Kooning (1952). De Kooning treated Picasso as the man to beat, reportedly describing him as the figure you had to measure yourself against. The Women paintings take the bared-teeth frontality and dismembered anatomy of Picasso's 1930s Marie-Thérèse and Dora Maar portraits and drive them through Abstract Expressionist paint handling — proof that New York's break with Europe still ran through the Spaniard's studio.

What influenced Pablo Picasso

• Paul Cézanne. Picasso's proto-Cubist development is stated to have been influenced by Cézanne. (also via Les Demoiselles d'Avignon, The Large Bathers) “At the time, Pablo Picasso was influenced by Gauguin , Cézanne, African masks and Iberian sculpture” (Wikipedia)
• Henri Matisse. Matisse's work motivated Picasso to explore more radical styles. (also via Les Demoiselles d'Avignon, Le Bonheur de vivre) “After 1906, the Fauvist work of the older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists” (Wikipedia)
• Dora Maar (1907). Romand explicitly identifies Maar's photography as an influence on Picasso. (also via Guernica, 29, rue d'Astorg) “"Maar's practice of photography influenced the art of Picasso – she had a great influence on his work," said Antoine Romand, a Dora Maar expert.” (Wikipedia)
• Las Meninas by Diego Velázquez (1656). Las Meninas (Diego Velázquez) — titan for Pablo Picasso “He made a series of works based on Velázquez 's painting Las Meninas .” (Wikipedia)
• El Greco. The article identifies features of El Greco's art echoed in Picasso's work. (also via The Opening of the Fifth Seal) “Picasso especially admired the works of El Greco ; elements such as his elongated limbs, arresting colours, and mystical visages are echoed in Picasso's later work.” (Wikipedia)
• Paul Gauguin. Picasso's proto-Cubist development is stated to have been influenced by Gauguin. “At the time, Pablo Picasso was influenced by Gauguin , Cézanne, African masks and Iberian sculpture” (Wikipedia)
• The Large Bathers by Paul Cézanne (1906). The Large Bathers (Paul Cézanne) — titan for Pablo Picasso “Both Henri Matisse and Pablo Picasso are said to have remarked that Cézanne "is the father of us all".” (en.wikipedia.org)
• The Opening of the Fifth Seal by El Greco (1614). The Opening of the Fifth Seal (El Greco) — titan for Pablo Picasso “Picasso especially admired the works of El Greco; elements such as his elongated limbs, arresting colours, and mystical visages are echoed in Picasso's later work.” (en.wikipedia.org)
• Alcools by Guillaume Apollinaire (1913). Alcools (Guillaume Apollinaire) — culture for Pablo Picasso “In Paris, Picasso entertained a distinguished coterie of friends in the Montmartre and Montparnasse quarters, including André Breton, poet Guillaume Apollinaire, writer Alfred Jarry and Gertrude Stein.” (en.wikipedia.org)
• José Ruiz y Blasco. Picasso received his early artistic training from his father, José Ruiz y Blasco. “From the age of seven, Picasso received formal artistic training from his father in figure drawing and oil painting.” (Wikipedia)
• Real Academia de Bellas Artes de San Fernando. Picasso enrolled at the Madrid art school, though he soon stopped attending. “Picasso's father and uncle decided to send the young artist to Madrid's Real Academia de Bellas Artes de San Fernando , the country's foremost art school. [ 22 ] At age 16, Picasso set off for the first time on his own, but he disliked f…” (Wikipedia)
• Dante Gabriel Rossetti. Exposure to Rossetti's work contributed to Picasso's early modernism. “His exposure to the work of Rossetti , Steinlen , Toulouse-Lautrec and Edvard Munch , combined with his admiration for favourite old masters such as El Greco , led Picasso to a personal version of modernism in his works of this period.” (Wikipedia)
• Théophile Steinlen. Exposure to Steinlen's work contributed to Picasso's early modernism. “His exposure to the work of Rossetti , Steinlen , Toulouse-Lautrec and Edvard Munch , combined with his admiration for favourite old masters such as El Greco , led Picasso to a personal version of modernism in his works of this period.” (Wikipedia)
• Henri de Toulouse-Lautrec. Exposure to Toulouse-Lautrec's work contributed to Picasso's early modernism. “His exposure to the work of Rossetti , Steinlen , Toulouse-Lautrec and Edvard Munch , combined with his admiration for favourite old masters such as El Greco , led Picasso to a personal version of modernism in his works of this period.” (Wikipedia)
• Edvard Munch. Exposure to Munch's work contributed to Picasso's early modernism. “His exposure to the work of Rossetti , Steinlen , Toulouse-Lautrec and Edvard Munch , combined with his admiration for favourite old masters such as El Greco , led Picasso to a personal version of modernism in his works of this period.” (Wikipedia)
• Carles Casagemas. Casagemas's death influenced the subject matter and mood of Picasso's Blue Period work. “In his austere use of colour and sometimes doleful subject matter – prostitutes and beggars are frequent subjects – Picasso was influenced by a trip through Spain and by the suicide of his friend Carles Casagemas .” (Wikipedia)
• Fernande Olivier. Picasso's relationship with Olivier influenced many of his Rose Period paintings. “Olivier appears in many of his Rose Period paintings, many of which are influenced by his warm relationship with her, in addition to his increased exposure to French painting.” (Wikipedia)
• Raphael (1483). Picasso's work of the period is compared with Raphael's. “Picasso's paintings and drawings from this period frequently recall the work of Raphael and Ingres .” (Wikipedia)
• Jean-Auguste-Dominique Ingres. Picasso's work of the period is compared with Ingres's. “Picasso's paintings and drawings from this period frequently recall the work of Raphael and Ingres .” (Wikipedia)
• Marie-Thérèse Walter. Picasso's relationship with Walter inspired many of his works. “His relationship with Marie-Thérèse Walter inspired many of his surrealist pieces, as well as what is referred to as his "Year of Wonders".” (Wikipedia)
• Francisco Goya. Picasso based paintings on works by Goya. “He also based paintings on works by Goya , Poussin , Manet , Courbet and Delacroix .” (Wikipedia)
• Nicolas Poussin (1594). Picasso based paintings on works by Poussin. “He also based paintings on works by Goya , Poussin , Manet , Courbet and Delacroix .” (Wikipedia)
• Édouard Manet (1832). Picasso based paintings on works by Manet. “He also based paintings on works by Goya , Poussin , Manet , Courbet and Delacroix .” (Wikipedia)
• Gustave Courbet (1819). Picasso based paintings on works by Courbet. “He also based paintings on works by Goya , Poussin , Manet , Courbet and Delacroix .” (Wikipedia)
• Eugène Delacroix (1798). Picasso based paintings on works by Delacroix. “He also based paintings on works by Goya , Poussin , Manet , Courbet and Delacroix .” (Wikipedia)
• Le Chef-d'œuvre inconnu by Honoré de Balzac (1831). Le Chef-d'œuvre inconnu (Honoré de Balzac) — culture for Pablo Picasso (openlibrary.org)
• Metamorphoses by Ovid (8). Metamorphoses (Ovid) — culture for Pablo Picasso (openlibrary.org)
• Lady of Elche by Unknown Iberian sculptor. Lady of Elche (Unknown Iberian sculptor) — ghost for Pablo Picasso
• Grebo mask by Unknown Grebo carver (Côte d'Ivoire/Liberia). Grebo mask (Unknown Grebo carver (Côte d'Ivoire/Liberia)) — ghost for Pablo Picasso

Peers and kindred spirits

• Georges Braque (1882). Establishes the close collaborative development of Cubism between Braque and Picasso. (also via Les Demoiselles d'Avignon, Le Bateau-Lavoir studio photographs and the Montmartre circle: Portrait of Ambroise Vollard, Portrait of Daniel-Henry Kahnweiler) “Analytic cubism is a style of painting Picasso developed with Georges Braque using monochrome brownish and neutral colours. Both artists took apart objects and "analysed" them in terms of their shapes.” (Wikipedia)
• Sergei Diaghilev. Picasso collaborated with Diaghilev's troupe. (also via Les Demoiselles d'Avignon) “Parade was first staged by Diaghilev's Ballets Russes at the Théâtre du Châtelet, Paris, in 1917. It had a libretto by Jean Cocteau, music by Erik Satie, costumes and sets designed by Pablo Picasso and choreographed by Leonide Massine.” (Victoria and Albert Museum)
• Erik Satie. Picasso designed for Parade, a ballet by Erik Satie. (also via Parade) “Picasso married Olga Khokhlova , a ballerina with Sergei Diaghilev's troupe, for whom Picasso was designing a ballet, Erik Satie's Parade , in Rome” (Wikipedia)
• Igor Stravinsky. Picasso and Stravinsky collaborated on Pulcinella. (also via Three Musicians) “the two also worked together on Les noces (1923) and Pulcinella (1920) together with Picasso , who designed the costumes and the set.” (Wikipedia)
• Guillaume Apollinaire. Apollinaire belonged to Picasso's Paris circle of friends. (also via Parade, Alcools) “And yet Picasso was at Apollinaire’s bedside hours before he died.” (Book Post)
• Gertrude Stein. Picasso and Matisse first came together at Stein’s Paris salon. (also via Les Demoiselles d'Avignon, Pablo Picasso) “Dedicated attendees included Pablo Picasso , Ernest Hemingway , F. Scott Fitzgerald , Sinclair Lewis , Ezra Pound” (Wikipedia)
• Marie Laurencin. Laurencin belonged to Picasso's circle. (also via Les Demoiselles d'Avignon) “A member of both the circle of Pablo Picasso , and Cubists associated with the Section d'Or , such as Jean Metzinger , Albert Gleizes , Robert Delaunay , Henri le Fauconnier , and Francis Picabia” (Wikipedia)
• Pablo Neruda (1904). Picasso helped Neruda gain entry into Paris during his exile. (also via Guernica) “Pablo Picasso arranged his entrance into Paris” (Wikipedia)
• Ballets Russes. Picasso became involved in productions by the Ballets Russes. (also via Parade) “Towards the end of World War I, Picasso became involved with Serge Diaghilev 's Ballets Russes .” (Wikipedia)
• Jean Cocteau. Picasso appeared in Cocteau's film Testament of Orpheus. (also via Le Sang d'un poète) “Picasso made a few film appearances, always as himself, including a cameo in Jean Cocteau 's Testament of Orpheus (1960).” (Wikipedia)
• Henri-Georges Clouzot. Picasso helped make Clouzot's film Le Mystère Picasso. “Pablo Picasso and Henri-Georges Clouzot, the director of masterpieces of suspense such as Le Corbeau and The Wages of Fear, had been friends for thirty years when they decided to rent a studio in Nice in the summer of 1955 and make a film.” (FACE Foundation)
• Christian Zervos. Picasso entrusted Zervos with compiling the catalogue raisonné of his work. “Prepared by Cahiers d’Art founder Christian Zervos in direct collaboration with Picasso, the series was published between 1932 and 1978.” (Cahiers d’Art)
• French Communist Party. Picasso joined the French Communist Party in 1944. “My joining the Communist Party is a logical step in my life, my work and gives them their meaning.” (On Archiving Schapiro, Columbia University Libraries)
• Daniel-Henry Kahnweiler. Picasso joined Kahnweiler's gallery. “Daniel Henry Kahnweiler, a collector and art dealer who had worked with Picasso for a long time, described them as “drawings in space”.” (Musée Picasso-Paris)
• André Breton (1896). Breton belonged to Picasso's Paris circle of friends. “Picasso and André Breton met in 1918, in the apartments of Guillaume Apollinaire the day before his death. Their understanding was immediate, and they continued to work together after the death of their mutual friend.” (Musée Picasso-Paris)
• Juan Gris. The article places Gris in Picasso's Cubist circle. (also via Portrait of Pablo Picasso) “Braque and Derain were mobilised and Apollinaire joined the French artillery, while the Spaniard Juan Gris remained from the Cubist circle.” (Wikipedia)
• Alberto Giacometti. Picasso is named among Giacometti's associates. (also via Pablo Picasso) “Among his associates were Miró , Max Ernst , Picasso , Bror Hjorth , and Balthus .” (Wikipedia)
• Léonide Massine. Massine choreographed Parade. (via Parade) “1917: Parade , ballet (music by Erik Satie , choreography by Léonide Massine )” (Wikipedia)
• David Bowie (1947). Performed live 36 times (2003–2004) per setlist.fm (YouTube)
• French and American contemporary art exhibit. Picasso's work is included in the exhibit collection. “Besides the works by Plcasso, Davies and Prendergast, the collec tion boasts creations of G. Apple igate, J. G. Bakos, Paul Cezanne, Georges Braque, Andre Derain, Pres. ton Dickinson, Juan Gris, Walt 'Kuhn.” (The Seattle Star (Seattle, Wash.))
• Frida Kahlo (1907). Kahlo met Picasso in Paris during her surrealist show. “She was also warmly received by other Parisian artists, such as Pablo Picasso and Joan Miró” (Wikipedia)
• Galerie Jacques Bonjean. Dior's gallery exhibited works by Picasso. “Dior opened an art gallery at 34 rue La Boétie, the Galerie Jacques Bonjean, which exhibited works by, among others, Pablo Picasso, Georges Braque, and Henri Matisse” (Wikipedia)
• Cubism. The article identifies Picasso as a leader of Cubism. “some prominent young painters were experimenting with an art form that would later be known as Cubism , a movement led by Pablo Picasso and Georges Braque .” (Wikipedia)
• Le Bonheur de vivre by Henri Matisse (1905). Le Bonheur de vivre (Henri Matisse) — peer for Pablo Picasso “After 1906, the Fauvist work of the older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern…” (en.wikipedia.org)
• Portrait of Pablo Picasso by Juan Gris (1912). Portrait of Pablo Picasso (Juan Gris) — peer for Pablo Picasso “Kahnweiler promoted burgeoning artists such as André Derain, Kees van Dongen, Fernand Léger, Juan Gris, Maurice de Vlaminck and several others who had come from all over the globe to live and work in Montparnasse at the time.” (en.wikipedia.org)
• The Portuguese by Georges Braque (1911). The Portuguese (Georges Braque) — collaborator for Pablo Picasso “He was among the first champions of Pablo Picasso, Georges Braque and the Cubism that they jointly developed.” (en.wikipedia.org)
• Le Sang d'un poète by Jean Cocteau (1930). Le Sang d'un poète (Jean Cocteau) — collaborator for Pablo Picasso “Among his friends during this period were Jean Cocteau, Jean Hugo, Juan Gris, and others.” (en.wikipedia.org)
• Joaquín Torres-García. The artists had side-by-side exhibitions at Galerias Dalmau. “In 1912 Galerias Dalmau in Barcelona did two exhibitions side by side of Picasso and artist Joaquin Torres-Garcia .” (Wikipedia)
• Surrealism. Picasso participated in a Surrealist group exhibition despite not wholly embracing its ideas. “Yet Picasso exhibited Cubist works at the first Surrealist group exhibition in 1925; the concept of "psychic automatism in its pure state" defined in the Manifeste du surréalisme never appealed to him entirely.” (Wikipedia)
• Léonce Rosenberg. Rosenberg took on Picasso's work as an art dealer. “Kahnweiler's contract had terminated on his exile from France. At this point, Picasso's work would be taken on by the art dealer Léonce Rosenberg .” (Wikipedia)
• Max Jacob. Picasso befriended and shared an apartment with the poet Max Jacob. “There, he met his first Parisian friend, journalist and poet Max Jacob , who helped Picasso learn the language and its literature. Soon they shared an apartment” (Wikipedia)
• Jean Hugo. Jean Hugo was among Picasso's friends during his Ballets Russes period. “Among his friends during this period were Jean Cocteau , Jean Hugo , Juan Gris, and others.” (Wikipedia)
• Jacques Doucet. The museum records Doucet’s acquisition of a Picasso painting; the quoted evidence establishes a collector–artist connection, not a creative collaboration. “It was also Breton who advised Jacques Doucet to acquire “Les Demoiselles d’Avignon” in 1924.” (Musée Picasso-Paris)
• Ambroise Vollard. The museum documents Picasso’s work on a series commissioned by Vollard. “During the summer of 1931, which he spent in Juan-les-Pins, he initiated a series of engravings for the “Suite Vollard”, a commission from his art dealer and publisher Ambroise Vollard.” (Musée Picasso-Paris)
• Louis Aragon. The museum places Aragon in the circle advocating for the acquisition of a major Picasso painting. “That same year, after many exchanges and following a strong epistolary argument, André Breton and Louis Aragon persuaded the great collector Jacques Doucet to acquire “Les Demoiselles d’Avignon” for the modest sum of 25,000 francs (not v…” (Musée Picasso-Paris)
• Portrait of Pablo Picasso at Els Quatre Gats by Ramon Casas. Portrait of Pablo Picasso at Els Quatre Gats (Ramon Casas) — geography for Pablo Picasso “The bar hosted tertulias and revolving art exhibits, including one of the first one-man shows by Pablo Picasso; the most prominent piece in its permanent collection was a lighthearted Casas self-portrait, depicting him smoking a pipe whi…” (en.wikipedia.org)
• Casa Batlló by Antoni Gaudí (1906). Casa Batlló (Antoni Gaudí) — geography for Pablo Picasso (wikidata.org)
• Violin and Candlestick by Georges Braque (1910). Violin and Candlestick (Georges Braque) — peer for Pablo Picasso “He was among the first champions of Pablo Picasso, Georges Braque and the Cubism that they jointly developed.” (en.wikipedia.org)
• 29, rue d'Astorg by Dora Maar (1936). 29, rue d'Astorg (Dora Maar) — collaborator for Pablo Picasso “The politicised nature of the work is largely attributed to his romantic relationship at the time with the French anti-fascist activist and surrealist photographer, Dora Maar.” (en.wikipedia.org)
• Joan Miró. Guernica (Pablo Picasso) — peer for Joan Miró (via Guernica) (wikidata.org)

…and 2 more on the map above.

Who Pablo Picasso influenced

• George Balanchine (1904). MacNeil compares Balanchine's stature in dance to Picasso's in visual art. “You don't have to like Picasso's works, but you do have to say, "Yes, he is a great artist and an innovator."” (The MacNeil/Lehrer Report (public broadcasting))
• Martha Graham (1894). Compares Graham's importance in dance to Picasso's importance in visual art. “Graham has been sometimes termed the "Picasso of Dance" in that her importance and influence to modern dance can be considered equivalent to what Pablo Picasso was to modern visual arts.” (Wikipedia)
• Cristóbal Balenciaga (1895). Picasso's paintings are cited as an inspiration for Balenciaga's fashion designs. “Balenciaga's garments accompanied the paintings of Goya , Velázquez , El Greco , Zuloaga , Miró or Picasso , in which they had inspired the designs of the Basque couturier.” (Wikipedia)
• Breathless by Jean-Luc Godard. Breathless cites the painter Picasso. “The film also contains citations to composers (J. S. Bach, Mozart) and painters (Picasso, Paul Klee and Auguste Renoir)” (Wikipedia)
• Frank Gehry (1929). The Pritzker jury compared Gehry's resistance to categorization to Picasso's. “he has as well a sureness and maturity that resists, in the same way that Picasso did, being bound either by critical acceptance or his successes” (Wikipedia)
• Woman I by Willem de Kooning (1952). Woman I (Willem de Kooning) — legacy for Pablo Picasso “They show the influence of his friends Davis, Gorky and Graham, but also of Arp, Joan Miró, Mondrian and Pablo Picasso.” (en.wikipedia.org)
• The Blue Guitar by David Hockney (1977). The Blue Guitar (David Hockney) — legacy for Pablo Picasso “The frontispiece to the suite mentions Hockney's dual inspiration; "The Blue Guitar: Etchings By David Hockney Who Was Inspired By Wallace Stevens Who Was Inspired By Pablo Picasso".” (en.wikipedia.org)
• Salvador Dalí (1904). Some of Dalí's works were strongly influenced by Picasso. “As he developed his own style over the next few years, Dalí made some works strongly influenced by Picasso and Miró.” (Wikipedia)
• Federico García Lorca. Identifies echoes of Picasso in Lorca's still-life drawings. “These works contain echoes of Picasso's work, and like Picasso, they look back to the conventions of earlier still-lives.” (A Companion to Federico García Lorca)
• If I Told Him: A Completed Portrait of Picasso. Stein wrote her portrait of Picasso in response to his painting. (via Portrait of Gertrude Stein) “Stein wrote " If I Told Him: A Completed Portrait of Picasso " (1923) in response to the painting.” (Wikipedia)
• Joni Mitchell (1943). Les Demoiselles d'Avignon (Pablo Picasso) — culture for Joni Mitchell (via Les Demoiselles d'Avignon) (wikidata.org)
• Jean-Michel Basquiat (1960). Les Demoiselles d'Avignon (Pablo Picasso) — titan for Jean-Michel Basquiat (via Les Demoiselles d'Avignon) (wikidata.org)
• Tennessee Williams. Guernica (Pablo Picasso) — culture for Tennessee Williams (via Guernica) (wikidata.org)
• Femme au chapeau (after Picasso) by Roy Lichtenstein (1962). Femme au chapeau (after Picasso) (Roy Lichtenstein) — legacy for Pablo Picasso
• Coco Chanel (1883). Parade (Pablo Picasso) — culture for Coco Chanel (via Parade)
• Tatyana Grosman. La Suite Vollard (Pablo Picasso) — titan for Tatyana Grosman (via La Suite Vollard)